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- <text id=89TT0562>
- <link 91TT0007>
- <link 90TT1405>
- <title>
- Feb. 27, 1989: Hybrid Creature, Invisible Man
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Feb. 27, 1989 The Ayatullah Orders A Hit
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- WORLD, Page 33
- Hybrid Creature, Invisible Man
- </hdr><body>
- <p> Salman Rushdie is no stranger to exile, but past experience
- could hardly have prepared him for what he faces now. In fact,
- the situation is so preposterous that it might have sprung from
- Rushdie's own phantasmagoric imagination: someone suddenly
- emerges as the most talked-about writer in the world, but his
- life depends on becoming an invisible man.
- </p>
- <p> "I am this hybrid creature," Rushdie said shortly before
- going into hiding. Most of his life has been spent as an
- outsider, an alien among local populations. He was born in
- Bombay in 1947, two months before the British pulled out of
- India; his parents were well-to-do Kashmiri Muslims and
- admirers of English customs and manners. Young Salman's religion
- and pale skin made him something of an anomaly in his native
- city.
- </p>
- <p> When he was 13, he was shipped off to England to be educated
- at Rugby. His Anglo-Saxon schoolmates wasted no time in letting
- him know that he did not fit in; they snickered while, facing
- his first English breakfast, Rushdie tried to figure out how to
- eat a kipper.
- </p>
- <p> After his public-school ordeals, he went to Cambridge, where
- he read history (with an emphasis on Islamic subjects) and
- developed an interest in acting. After graduating in 1968, he
- moved to Pakistan, where his parents had relocated. His brief
- stay in a Muslim state was not happy. His production of Edward
- Albee's The Zoo Story was censored because the play contains
- the word pork. Within the year, Rushdie fled back to England.
- </p>
- <p> For the next decade he supported himself in London by
- writing advertising copy. He wed a British woman and fathered a
- son. (That union ended in divorce in 1987; Rushdie is now
- married to the American author Marianne Wiggins.) His first
- novel, Grimus (1974), was a critical and commercial flop, but
- his second, Midnight's Children (1981), created an
- international sensation. The book hinged on an inspired conceit:
- that 1,001 babies born across the subcontinent on the stroke of
- Indian independence had acquired magical powers to communicate
- with one another. Midnight's Children won the Booker Prize,
- Britain's most coveted award for fiction, and sold roughly half
- a million copies worldwide.
- </p>
- <p> Rushdie's next novel, Shame (1983), was another roistering
- allegory, this time refracting recent events in Pakistan. It too
- was nominated for the Booker Prize, but at the presentation
- dinner the award went to another contender. Rushdie raised
- eyebrows by standing up and protesting the injustice of the
- decision. "The thing about Salman," says an editor who knows
- him, "is that if he won the Nobel Prize, he would not be happy
- until he had won it twice."
- </p>
- <p> Rushdie possesses an egotistical, self-righteous streak that
- has not always endeared him to his fellow Britons. He has been
- an articulate critic of Prime Minister Margaret Thatcher's
- economic policies. And somewhere in the process of becoming
- Westernized, Rushdie lost his faith. "When I was young, I was
- religious in quite an unthinking way," he said recently. "Now
- I'm not, but I am conscious of a space where God was."
- </p>
- <p> Once again, Rushdie cannot go home. His north London house,
- guarded around the clock by uniformed police, is empty. His
- fourth-floor study, where he wrote The Satanic Verses at the
- rate of roughly 800 words a day, no longer betrays the traces of
- his working routine, mounting piles of typescript scattered
- about the floor. But on a mantelpiece in this room rests an
- intriguing souvenir of Rushdie's past: a beautifully bound
- octagonal miniature, roughly the size of a silver dollar, of
- the Koran.
- </p>
-
- </body></article>
- </text>
-
-